Nick Broomfield’s Real-Life Crime Drama

November 22, 2014

 

Director Nick Broomfield answers questions from the audience following the DOC NYC screening of “Tales of the Grim Sleeper” (Photo by Primavera Ruiz)

 

Written by Maggie Glass

Tales of the Grim Sleeper, the latest film from director Nick Broomfield, reveals not only the inner workings of an infamous Los Angeles serial killer, but also the voices and lives of young black women, who are often ignored or persecuted by the police and society at large. Broomfield, a historically reflexive filmmaker, also lets the audience in on the making of the documentary, weaving his method of investigation and truth-seeking into the the story of a South Central community wrecked by poverty, crack cocaine, and structural neglect.
The film centers on a serial killer who targeted young black women of that area from 1985 to 2007, with an extended break in between. That hiatus earned him his name: The Grim Sleeper. In 2010, a man named Lonnie Franklin was arrested for the long string of homicides — leaving his neighbors to wonder how they could have befriended a mass killer and the local community to wonder why it took the police so long to make the arrest.

Throughout the making of the documentary, Broomfield – older, British, and white – couldn’t help but stand out in the predominantly black neighborhood of South Central. At the post-screening discussion, Broomfield talked about the process of entering spaces as an outsider. “I think the way you go into an environment is one of the most important things,” he said. “We spent a long time finding the right person to take us in. I think the key is you really always have somebody from that particular community, as your goodwill angel, who looks after you and takes you in. If we had just gone in alone it would have been very different.”

For Bloomfield and his crew, the woman who looked after them was Pam Brooks, a former drug addict and sex worker whose familiarity with the neighborhood was crucial to their investigation. Charismatic and sharp, Brooks spoke with passion about the women who had disappeared and how their identities as young, black, and female rendered them invisible to law enforcement. Bloomfield also interviewed members of the Black Coalition Fighting Back Serial Murders, a group of women who were angered by the lack of attention from the police while a serial killer was clearly on the loose.

As for Lonnie Franklin, his neighbors were initially shocked by the allegations against him, but many later reached out to the crew to talk about past misgivings and red flags. “We were basically asking the most uncomfortable questions,” said Broomfield. “I think they were all, in their own way, quite worried about being so close to someone who had killed so many people.” In answering a question about those who may not have known about the murders but engaged in other illegal and questionable activity, Broomfield answered, “It’s very easy to cut this film so that all the friends of Lonnie are the devil. I don’t think any of them were all bad. I think they are living in a very specific set of circumstances that are hard to imagine. It’s really more like living in a war zone.”

For more about Tales of the Grim Sleeper, visit the film page on the DOC NYC website.


Maggie Glass is a New York based writer and film editor.