ALL LIGHT, EVERYWHERE

A riveting philosophical meditation that explores the shared histories of cameras, weapons, policing, and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens. The film elegantly launches several lines of inquiry, including the idea that image-recording technology can become an extension of state subjugation as exemplified by police body cams. – Ruth Somalo

This film contains the following accessibility options for viewers:
Closed Captioning for online screenings

All in-person screening venues provide hearing impaired listening devices upon request with venue management.

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