97 year old Holocaust survivor, World War II spy, and famous songwriter Inge Ginsberg decides to break out as a death metal singer.
Students in The Documentary Project at Columbia Journalism School learn to write, film and narrate the stories of our time, from deadline reporting to profile writing and documentary features. Successful candidates have leveraged their work to include magazine features, NPR radio stories and newspaper articles. Columbia’s showcase includes: The Lifehouse (USA, 31 min., Heba Elorbany, […]
Hunter’s MFA Program in Integrated Media Arts (IMA) offers advanced studies in nonfiction media making. The IMA Program educates multidisciplinary, socially engaged media makers in a diverse range of skills across the media landscape. Working with faculty from film, video, emerging media and journalism backgrounds, students learn to conceptualize, create and distribute innovative, politically and […]
NYU’s NewsDoc program prepares students to report and produce for traditional and nontraditional media. Emphasizing not only the story, but the storytelling, the program’s goal is for students to be skilled in both form and content, able tell a story by effectively using all aspects of the medium. The program culminates with each student producing, […]
The School of Visual Arts’ MFA Social Documentary Film program teaches the artistic skills and techniques needed to tell compelling true stories that stimulate meaningful dialogue. SocDoc not only teaches the fundamentals of good storytelling, but guides students toward a career in the thriving documentary industry. The award-winning faculty is helmed by producer Maro Chermayeff […]
WORLD PREMIERE Co-created by Fred Armisen, Bill Hader, Seth Meyers and Rhys Thomas and executive produced by Lorne Michaels, IFC’s Documentary Now! is known for lovingly paying homage to the world of documentaries. Honoring beloved films like Grey Gardens, The Thin Blue Line and Jiro Dreams of Sushi, Documentary Now! has quickly become a favorite […]
NYC PREMIERE Footprint is a purely observational meditation on how different people engage with the World Trade Center Memorial, exploring the ways we choose to commemorate tragedy in the age of technology, social media, and changing attitudes toward patriotism.