Submissions are now open for DOC NYC, America’s largest documentary festival! The 8th edition of DOC NYC will take place November 9-16, 2017.
DOC NYC is an annual event based in New York City at the West Village’s IFC Center, Chelsea’s SVA Theatre and Cinépolis Chelsea. Voted by MovieMaker magazine as one of the “top five coolest documentary film festivals in the world”, the eight-day fest showcases new achievements in documentary film along with panels and conversations with acclaimed filmmakers and industry professionals. DOC NYC seeks to make connections that happen “only in New York.”
Within its first five years, DOC NYC quickly became America’s largest documentary film festival. In 2016, the festival showcased 214 films & events, presented by 300 filmmakers and special guests. Past guests include Secretary Hillary Rodham Clinton, Michael Moore, Martin Scorsese, Ethan Hawke, Susan Sarandon, Noam Chomsky, Michel Gondry, Errol Morris, Oliver Stone, Eve Ensler, Neil deGrasse Tyson, Bill Moyers, Omar Epps, Yvonne Rainer, Beau Willimon, Frederick Wiseman, Barbara Kopple, Jim Jarmusch, Ronnie Spector, Steven Van Zandt, Tony Alva, Mayor David Dinkins, and Billie Jean King. Audience attendees have included Harry Belafonte, Rosario Dawson, Fred Armisen, Sandra Bernhard, Marisa Tomei, Thandie Newton, Emma Watson, Michael Stipe, Martha Stewart, Darren Aronofsky, Maggie Q, Joan Jett, Paul Shaffer, Cornel West, Naomi Watts, Bob Costas, Julian Schnabel, Bill Nye, Michael Musto, Cherry Jones, and The Luna Chicks, among others.
Viewfinders – A competition section that covers nonfiction perspectives from around the world. Eligibility requires a minimum New York City premiere with preference given to World or U.S. premieres. Past titles include World premieres of “Almost There,” “The Lure,” “The Anthropologist,” “The Sunshine Makers,” and “Web;” and U.S. premieres of “The Beekeeper and His Son,” “Girl Unbound: The War to Be Her,” “I Am Sun Mu,” “A Journey of a Thousand Miles: Peacekeepers,” “P.S. Jerusalem,” “The Dark Matter of Love,” and “The Wound and the Gift.”
Metropolis – A competition section of documentaries about New York City or New Yorkers. Eligibility requires a minimum New York City premiere with preference given to World or U.S. premieres. Past titles include World premieres of “All the Rage (Saved By Sarno),” “Rikers,” “Woman On Fire,” “Daddy Don’t Go,” “The Lost Arcade,” “Patrolman P,” “Some Kind of Spark,” “More Than the Rainbow,” and “To Be Heard;” and U.S. premieres of “Winter at Westbeth,” “Homme Less,” “The Sarnos – A Life in Dirty Pictures,” and “Rubble Kings.”
Shorts Programs – Selections of nonfiction shorts, organized thematically. Past titles include Laura Poitras and Henrik Moltke’s “Project X,” Aaron Schock’s “La Laguna,” Maxim Pozdorovkin’s “Clínica de Migrantes: Life, Liberty and the Pursuit of Happiness,” Jon Alpert’s “Mariela Castro’s March: Cuba’s LGBT Revolution,” Irene Taylor Brodsky’s “Open Your Eyes,” Alison Klayman’s “The 100 Years Show,” Doug Block’s “The Children Next Door,” and Lucy Walker’s “The Tsunami and the Cherry Blossom.”
**The winning short film qualifies in the Documentary Short Subject category of the Annual Academy Awards® without the standard theatrical run, provided the film otherwise complies with the Academy rules.**
Remaining festival section are all feature-length and require New York City premieres at a minimum, with a preference for World or U.S. premieres. Note: Exceptions may occasionally be made to consider films which have already screened in NYC – contact email@example.com to inquire.
Special Events – High-profile events and guests. Past titles include the World premieres of Netflix sensation “Making A Murderer,” the Netflix docuseries “Captive” (with executive producer Doug Liman in person), “City of Joy” (with Eve Ensler in person), Springsteen doc “The Ties That Bind” (with Thom Zimny in person), “Is the Man Who Is Tall Happy?” (with Noam Chomsky and Michel Gondry in person), “Darkness on the Edge of Town” (with Max Weinberg in person), Amy Berg’s “An Open Secret,” “Can’t Stand Losing You” (with Andy Summers in person); U.S. premieres of “Finding Vivian Maier,” “The Yes Men Are Revolting,” “Do I Sound Gay,” “Sing Me The Songs That Say I Love You” (with Rufus Wainwright in person), “Charlotte Rampling: The Look” (with Charlotte Rampling in person), and others.
American Perspectives – Past titles include World Premieres of “After Fire,” “Sky Line,” “Thank You For Your Service,” “Wilhemina’s War,” “Kids for Cash,” “A Murder in the Park,” “Sex and Broadcasting,” and screenings of “The Fear of 13,” “Above and Below,” “Only The Young,” “Code of the West,” “Brooklyn Boheme,” and others.
International Perspectives – Past titles include World Premieres of “All Rise,” “Every Last Child,” U.S. Premieres of “On the Rim of the Sky,” “Things Left Behind,” “The Mosuo Sisters” and screenings of “Sacred,” “Those Who Jump,” “Bolshoi Babylon,” “The Babushkas of Chernobyl,” “Perdida,” and “Oma and Bella.”
DOC NYC annually presents several thematic strands, which may change from year to year. Among these have been the sports-themed Jock Docs, music-focused Sonic Cinema, films-on-films Behind the Scenes, investigative True Crime, arts-focused Art & Design, performance-based Centerstage, food-focused Doc Eat Doc, activism-oriented Fight the Power, animal-themed The Wild Life, and alternative family-focused Modern Family.
Pitch Perfect (Works-in-Progress Features or Webseries) – Pitch Perfect is a pitching event that is part of DOC NYC Pro, the festival’s industry programming component. The program provides a nurturing environment for emerging filmmakers to present works-in-progress to funders, distributors, and other documentary industry professionals.
Submissions are open to nonfiction works-in-progress features or series proposals in any genre or style. Works-in-progress must be on track to be completed within 1-2 years, with at least 50% of their budget already in place. Filmmakers must submit a 2-5 minute video work sample, one-page description, and simple budget.
Projects will be selected based on their artistic merit, ability to engage an audience, and potential for success in the marketplace.
Selected projects will be given 10 minutes to pitch, including trailer or clip, and 15-20 minutes of feedback from an industry panel, as part of DOC NYC’s industry programming, DOC NYC Pro. In addition to putting filmmakers in front of funders, Pitch Perfect will also seek to connect projects to mentors such as producers, post production supervisors, sales agents, publicists, outreach coordinators, marketing directors, and others to strengthen the film’s potential in the marketplace.
Accepted Pitch Perfect participants will also receive access to DOC NYC programming.
Pitch Perfect applicants who are not accepted will also be provided a discount on select DOC NYC Passes, to be determined.
Awards & Prizes:
DOC NYC annually presents awards for the Viewfinders, Metropolis, Shorts, and Pitch Perfect sections, with award details to be announced on docnyc.net:
Rules & Terms:
• Previously submitted documentaries will not be accepted, unless the film has undergone significant content changes (60% or more) and meets all other submission requirements.
• Feature documentaries are forty one (41) minutes or longer. Shorts are forty (40) minutes or less, including all credits.
• If the documentary is in a language other than English, it must be subtitled or dubbed in English.
• Promotional, instructional, or industrial films, and raw documentation of performances are not eligible.
• To be eligible for inclusion, films must not have screened publicly in NYC prior to the Festival, nor have been broadcast on US television or online before the festival, nor commercially released on DVD/Blu-ray, VOD, or for download to the public.
• For non-competition sections, exceptions may occasionally be made to consider films which have already screened in NYC – contact firstname.lastname@example.org to inquire.
• DOC NYC strongly prefers Vimeo links over FilmFreeway’s video uploads.
• If you change your Vimeo link, or the password connected to it, make sure to email the updated information to email@example.com.
• Please Note: We do not accept DVD as a submission format. All entries must be submitted by link.
• Filmmakers may submit more than one documentary, but each documentary must be accompanied by its own Entry Form and Entry Fee.
• The Entry Fee is non-refundable.
• Submitted materials will not be returned. Please do not send film prints, master tapes, or other originals.
• All entrants will be notified of their status on or around September 18, 2017 via e-mail.
• Please keep us informed of any changes regarding your contact information by emailing firstname.lastname@example.org
• Due to the number of submissions received, DOC NYC unfortunately cannot provide feedback on any entries.
• For questions regarding submissions not covered above, please email email@example.com.
Earlybird Deadline: March 3, 2017
Regular Deadline: April 7, 2017
Late Deadline: June 2, 2017
Extended Deadline: July 14, 2017
DOC NYC accepts submissions via FilmFreeway or Withoutabox.
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